Joaquín Sorolla - New York Museums

The Hispanic Society

Vision of Spain

The gallery houses the monumental series of 14 paintings known as Vision of Spain by the Valencian master Joaquín Sorolla y Bastida, the preeminent artist in Spain at the turn of the 20th century. Archer Milton Huntington, founder of the Hispanic Society, commissioned the paintings in 1911 for a new gallery to be built on the west side of the main building. Sorolla already had been the subject of two enormously successful traveling exhibitions in the United States organized by the Hispanic Society in 1909 and 1911. The 1909 exhibition alone attracted some 160,000 visitors to the Hispanic Society in a period of one month.

Nearly 12 feet tall and 200 feet in combined length, the canvases that comprise Vision of Spain were painted by Sorolla at various locations in Spain between 1912 and 1919. Within the gallery the viewer is surrounded by the peoples, costumes, and traditions of various regions of Spain. Both Sorolla and Huntington noted that the series represented a Spain that was already “on the point of disappearing.” Unfortunately the paintings that Sorolla considered his greatest work were not inaugurated at the Hispanic Society until 1926, three years after the artist’s death.

All of the canvases were restored in 2006-2007 prior to an exhibition tour in Spain. Sorolla’s Vision of Spain was exhibited in Valencia, Seville, Málaga, Bilbao, Barcelona, and Madrid between November 2007 and February 2010. Never before on public view in Spain, Sorolla’s masterwork created a sensation that attracted over 2,000,000 visitors, making it the most visited exhibition in Spain’s history. The fully renovated Sorolla Vision of Spain Gallery was inaugurated in 2010 upon the return of the paintings.

Valencia - Las grupas — 1916 | Valencia - Las Grupas

Andalucía - El baile — 1915 | Andalucía - El Baile

The Metropolitan Museum

European Paintings

The Met’s celebrated European Paintings collection encompasses more than 2,500 works of art from the thirteenth through the early twentieth century. In addition to the department’s galleries, pictures hang in the Robert Lehman Collection, the Jack and Belle Linsky Collection, and in other departmental galleries at The Met Fifth Avenue, as well as at The Met Cloisters.

Apart from individual masterpieces by artists as diverse as Jan van Eyck, Caravaggio, and Gustav Klimt, The Met possesses a rich display of early Italian and Northern art, along with one of the world’s greatest collections of seventeenth-century Dutch paintings, including outstanding works by Frans Hals, Rembrandt, and Johannes Vermeer. The Museum's holdings of El Greco, Goya and Sorolla are one of the finest outside of Spain. Its galleries of nineteenth-century French paintings are second only to the museums of Paris, presenting in depth the art of Gustave Courbet, Edgar Degas, Édouard Manet, Claude Monet, Paul Cézanne, Vincent van Gogh, and others.

The collection traces its origins to the Museum’s founding purchase of 174 paintings from European dealers in 1871. Since then, numerous donations, bequests, and curatorial purchases have greatly enriched the department’s holdings. In recent years, the department has built up a notable collection of seventeenth-century Italian painting; acquired an unrivalled survey of plein-air oil sketches from the decades before Impressionism; and expanded its display of nineteenth-and early twentieth-century Northern and Central European art. As it grows, the collection reflects our constantly evolving ideas about art history and offers new opportunities for discovery by the public and scholars alike.